Sleaford Mods have been, in my opinion, probably the most refreshing act to come out of the U.K. in recent years. Full of working class rage, swagger, minimalist punk arrangements, rapid fire lyrics, and pure political passion; this duo from Nottingham has always been able to cut through bullshit in this dismal world.
The band has a very recognizable sound, with Jason Williamson shouting into his mic while Andrew Fearn creates looping beats and grooves with a stripped-down approach. As the group has gone through various albums, it became clear that they have been looking for a new direction in some ways with regards to their sound.
Enter their newest release English Tapas. The album has trademark Mods style, but you can quickly sense there are new influences at work. You hear not just punk, but glitch, trip-hop, hip-hop, and numerous other elements in their instrumentals. Andrew Fearn has really pushed himself on this record to create sounds that open up new avenues for Williamson to explore his vocals over.
Jason is at his most melodic on this record without a doubt. There is plenty of ranting at the system, and with Westminster fucking everyone over this is justified completely, but there are so many more melodic layers than on previous records.
There is enough for the longtime Sleaford Mods fans like me to love on English Tapas, but there is plenty for the newbies too. This is the record that the working class and poor living in a post-Brexit world need.